Los
Angeles (June 13, 2016) — On Saturday, July 16th, Corey Helford Gallery
will proudly unveil new works from internationally
recognized Los Angeles artist and pop surrealist pioneer Camille Rose
Garcia. Garcia’s newest series
of gothic-psychedelic nature paintings, titled “Phantasmacabre,” will be her first solo
show in Los Angeles since 2011 and
debut the biggest paintings of her career. In addition, this will be Garcia’s first show with CHG.
Influenced
by the surrealist and deeply symbolic films of Alejandro Jodorowsky, Jungian
archetypes, and fairy tales, “Phantasmacabre”
depicts a lush and layered symbolic world that explores the realm of
memories and dreams.
Mother
nature dominates, with fecund, tangly gardens overtaking painful subconscious
memes. Candy colors, repeating patterns, and psychedelic symmetry form an
underlying organic structure for the paintings. Figurative fragments from children’s
books and fairy tales form a deeply personal narrative dominated by various
feminine archetypes and villains. The beautiful and the macabre negotiate a
delicate balance of creation and destruction.
Of her new work, Garcia says: “I’m trying to capture an emotional and psychological landscape where dreams and memory combine to form a personal symbolic language, both unique and universal. I’m interested in the feeling of something beautiful and frightening existing at the same time. Something painful and pleasurable all at once.”
Ghosts and witches, snakes and skulls frame acid-colored fever-dream scenes of wounded goddesses slayed open, fecund gardens growing from their wounds. Vibrant strange gardens populated with insects and dream imagery portray a psychedelic dance between life and death.
She adds,
“Most of my work had been about the painful intersection of nature and culture,
the rampant destructive nature of the modern world. At times I feel a certain
helplessness about the state of the world, and I retreat into beauty, into
color, into music. This is the language of the universe, in all of its
repeating patterns. This series of paintings is the most personal, but also
universal. It is no longer about culture, but of trying to tap into a deeper
symbolic language beyond words.”
About
Camille Rose Garcia:
Camille Rose Garcia was born in
1970 in Los Angeles, California. The child of a Mexican activist filmmaker
father and a muralist/painter mother, she apprenticed at age 14 working on
murals with her mother while growing up in the generic suburbs of Orange
County, visiting Disneyland and going to punk shows with the other disenchanted
youth of that era.
Garcia’s layered, broken
narrative paintings of wasteland fairy tales are influenced by William
Burroughs’ cut-up writings and surrealist film, as well as vintage Disney and
Fleischer cartoons, acting as critical commentaries on the failures of
capitalist utopias, blending nostalgic pop culture references with a satirical
slant on modern society.
Her work has been displayed
internationally and featured in numerous magazines including Juxtapoz, Rolling
Stone, Flaunt Magazine, Nylon, Paper Magazine, The Los
Angeles Times and Modern Painter,
and is included in the collections of the Los Angeles County Museum of Art, The
Resnick Collection, and the San Jose Museum of Art, which held a retrospective
of her work, entitled “Tragic Kingdom,” accompanied by a catalog of the same
name. Garcia’s recent book, The
Illustrated Alice in Wonderland (published by Harper Collins,) was a New
York Times Bestseller.
Garcia recently moved to the
Pacific Northwest after 38 years in Los Angeles.